Lighter than Air

That's a wrap, folks! Today I concluded the entirety of the Earthsea Cycle by Ursula Le Guin for the first time. The final book in this series is The Other Wind, but the collected volume I have also includes after that a few short stories by Le Guin set in the Earthsea universe as well as a lecture she gave at Oxford on gender and the Western archtype of a hero. Seemed best to lump these all together for this review.

I was emotional about this book from the start, and I can only imagine it was moreso for those who had been familiar with Ged and Tenar for decades before this book was published. The Earthsea Cycle begins with A Wizard of Earthsea in Ged's childhood, before he's even discovered his propensity for magic, and here at the start of The Other Wind, he is a man in his seventies, puttering about his old master's house and waiting for his wife and daughter to come home. We've gotten to see Ged throughout his life--as a child, apprentice, wizard, archmage, goatherd (take 2), old man--and this continuity and journey really got to me.

At the end of the previous novel, Tehanu, the mantle of hero is passed on narratively from Ged and Tenar to their adopted daughter, Tehanu, but it's here in The Other Wind that Tehanu really comes into herself. Given Tehanu's past trauma, the way she clings to Tenar and Ged makes sense, so it was very rewarding to see her grow into herself here and eventually claim the power she was told by the dragon Kalessin she possesses at the end of Tehanu. 

As with Tehanu and Tales of Earthsea, women play a much more central role in The Other Wind. Our noble king, Lebannen, who came into his own in the third book of the original trilogy, is really blown hither-and-thither by the women of the book, who are the real plot-movers. Tehanu, the youthful rising power; Tenar, the wizened heroine; Irian, the free woman who's embraced the power Tehanu shares; Seserakh, the foreign princess who brings Kargish knowledge of dragons; these are the real players of the game. The kings and wizards who follow in their wake exist to help them carry out the plot. 

As with all the Earthsea books, Le Guin focuses her fantasy without centering violence. The great plot of The Other Wind essentially boils down to righting an ancient wrong, and it is resolved through shared knowledge and cooperation. On the whole, the book feels quite positive and we leave Earthsea for this final time on a sweet and hopeful note.

The conclusion itself feels perfect: Ged and Tenar on Gont, talking of nothing, in the end. Who else but Le Guin would have concluded her epic fantasy series with her male hero explaining how he'd kept up the house in his wife's absence? The pair go for a walk in the woods, and that's where the overarching plot of Earthsea ends, beautiful in its simplicity. 

If I had a complaint about Le Guin's writing, it's that she sometimes stows key elements of the plot in opaque dialogue between characters, which comes up a little here, but not as much as in Tehanu.

After The Other Wind come a few short stories by Le Guin set in the world of Earthsea. These are fun little tales, none longer than fifteen pages, which have nothing to do with any of the characters we know, until the final one. If you like the worldbuilding of Earthsea, these will be a great addition. The final one, for reasons I won't spoil, had me getting choked up even though I suspect from the opening paragraphs what was happening. 

I had such fun exploring Earthsea and while I wish I had gotten into them when I was younger (because I know how much I would have enjoyed them as a teen!) I'm still glad to have found them now (and I can just envision the daydreams I would have spun about my own female mage OC if I had known about these books then...) I know I'll revisit Earthsea and the adventures of its heroes again, although I'll stick to the paper versions--I've heard nothing good about any of the attempted screen adaptations! It truly feels like this has been a journey, and what an enjoyable one its been.

I have a job again! \^o^/ This means I am back on the audiobook train and today I wrapped up Road to Ruin by Hana Lee, book 1 of the Magebike Courier duology. This is a low fantasy dystopian novel located in a place called the Mana Wastes, where protagonist Jin works as a courier transporting goods between protected cities. Jin runs a lot of odd jobs for various clients, but her most lucrative by far are Prince Kadrin and Princess Yi-Nereen. Jin has been ferrying love letters between them for three years--while hiding the fact that she's fallen in love with both of them. But everything changes when Yi-Nereen decides to run away and asks Jin to help her.

First, don't let the hokey title put you off. I started this one a bit warily, but it turned out to be quite a lot of fun! The worldbuilding is pretty light, but the novel seems aware of that and doesn't overpromise on that front. What is there serves its purpose well. It's not anything particularly novel, but not every book needs to be.

Jin, Yi-Nereen, and Kadrin are all wonderful protagonists; each of them has a distinct personality, perspective, and motivations, and I really enjoyed all of them. I was rooting for them the whole book and it was great to watch their various interpersonal dynamics unfold. If you're a fan of stories about mutual pining, this one is definitely worth checking out. However, if that's not really your speed, I didn't feel like the book spent too much time harping on about feelings we all suspect or know are requited. The romance element is definitely there, and it's a significant motivator for all three of them, but there's plenty else going on in the book too. 

The book avoids falling prey either to the Charybdis of black-and-white morality where everyone who stands in the way of the protagonists is evil, or to the Scylla of "everyone is friends if we just talk things out," which is a relief after some recent reads. There's definitely a sliding scale of antagonism here, with some characters who are obstacles but not necessarily bad people, and others who run much darker. 

I also enjoyed the presence of the "Road Builders." Jin and her peers inhabit the Mana Wastes, a treacherous desert wasteland where little survives and almost none of it without human intervention. They sustain themselves with "talent"--magical abilities common among humans, but becoming less common by the day--and travel along ravaged roads built by some culture who came before, about which Jin and her peers know very little. These are the "Road Builders" and are, I believe, strongly hinted at to be us. Lee keeps them a pleasant mystery humming in the background of everything else going on.

There were a couple contrivances near the end to aid a dramatic conclusion, but nothing so egregious I wasn't willing to continue to play ball with the book. Similarly, I'm on the fence about where this book leaves the relationship between the main trio, because it feels a little too much like Lee felt it was a necessary hook into book 2, but I'll reserve judgement until I've actually read book 2. And perhaps it's better that everything doesn't wrap up too neatly here. 

On the whole, I had a lot of fun with this book and I will definitely read the next one.